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Movie Poster Market - how big is it & how much money is spent by collectors?

from a discussion in another thread (on APF), I made a comment how auction prices are hardly the totality of the market and are in actuality, only a slice of the total amounts spent on retail sites, retail stores, ebay BIN listings, Amazon, Allposters, Moviegoods, conventions, flea markets and all the other attendant places where movie posters of any kind are sold. I guess all the Mondo and "art print publishers" need to be combined as well.

How many more millions than the 13million done by the 2  main auction sites is done in the retail market??

well, I've spoken to some of my friends who do major retail sales and other folks "in the know" and I believe I have a reasonable consensus that the retail market of movie posters is at least 2-3 times as large as the auction markets and could be as much as 4-6 times the size. (and I haven't been able to consider the full international market which could increase that number considerably)

simply said, there 2 online/mail order retailers who achieve almost $1,000,000 in annual sales that I know of and there may be 2 more who I'm thinking of.
eBay sales in the movie category are some millions, most of which are BIN and not auction sales, though even with the auction sales most are at a "list price" as there are few real auctions taking place on eBay. I know a number of people who do very well on Amazon. I know several stores that make pretty good sales (mostly in the L.A. area).

from my conversations, my estimates are that the market from dealers selling from the USA is easily $40m and could range as high as $60m

going further, estimates of the amount of material sold at the 2 main auctions that go to dealers is upwards of 50%.
That's right, 50% or more of what these 2 houses sell goes to dealers, most of which is material put out at a retail price and resold for small or large profits over the auction sales of those same items.

why is this important? very simply said, for some strange reason there is a population of vocal collectors who seem to believe that the auction market IS the market and that prices achieved in that format ARE the real values of the posters being sold. The belief that auction prices is the market is therefore, wrong!

Never mind that the poster being sold for $198 in one auction has been quietly purchased by a dealer, relisted at $500 and sold at that price or that when I bought a lobby card set for $200 in one auction and resold the cards for $580 myself.

the retail market for movie posters is much greater than that of the auction market. Period
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Comments

  • Damn vocal collectors!





    ;)
  • the only problem when just one group is speaking is that others get to believing them.
    it's like people who only listen to Fox News.. they hear it often enough, and they believe it no matter how false it is..
  • edited October 2014
    I have not read the comments APF

    How do we define a market size that is basically a hobby and where the biggest retailer is simply a conduit for the trade of said posters (eBay), this is a company that turns over $12Billion dollars annually, essentially that is $12Billion dollars in commissions for the (larger) sales that other people make.

    If eBay were to publish the figures by category then we would pretty much be able to narrow it down or certainly offer a far greater educated estimate.

    I don't know how you can come up with the figure the market size is "2-3 times as large as the auction markets and could be as much as 4-6 times the size."  

    Let's say there are 200 sellers on eBay and they sell maybe $10K per annum (which would be a stretch but let's run with it for now), well that's only $2M, add in another (say) 200 independent auction houses around the world doing the same, so that's another $2M. Say there's 10,000 poster collectors in the world (who knows), and they trade and sell and barter maybe an average of $1K in posters per annum (again a stretch), that's $10M.

    All that adds up to $14M add in the two auction house of which thee speaketh of and the global market less than $30M. 

    You'd have to double all the figures mentioned to get to $60M - that would mean there is 400 eBay sellers each doing $20K per annum and so on...

    Sure you have to add in the Bricks and Mortar stores, the Mom & Pop retailers, but the volume of these are few and far between, I can't see them upsetting the figures I've suggested too much, figures that are highly speculative anyway.

    I think it's just too hard to really be accurate.

    On your second statement: Do I think the auction market is the (pricing) market? 

    No, not the least but they are they most visible, there is no Red Book for used movie posters (or whatever you have in your country that defines the price range of a used vehicle) - either way, they are the only ones that provide data of any volume (eBay offer no history) in which case notwithstanding supply and demand they are the starting benchmark when it comes to valuation.
  • it's definitely an estimate Dave, but it is an educated estimate that a number of people agree with.
    Your own numbers show how easy it is to get there and I am talking about every movie poster selling outlet from ebay to conventions to mail order (non-ebay) Amazon and on and on. It even includes movie poster sales from companies like Movie Goods and All Posters

    keep in mind, if the sales of all others are 3 times the size of the two auctions, that's still only $50m in annual sales aggregate and I haven't been able to get a handle on non-US business.

    it would not surprise me if total sales annually across the spectrum are $100m, but I would be surprised if they are more

    compare that to comic books
    newsstand (meaning comics stores) sales of new comics alone just passed $870 for fiscal year 2014
    in discussion with some of the top comic businesses, we estimate the whole market at $2b
    in comics, Heritage does $50m+
  • There is no doubt that auction prices are just a guide. You only have to look at price fluctuations for the same poster that has been auctioned a number of times over the years. There can be a huge difference in the prices achieved - some very low and some over the top.

    There are also many examples where dealers sell posters cheaply just to move stock, to try out auctions at low starting bids or to draw in other bidders.

    I recently auctioned off a load of one sheets with a 2.99 starting bid. Some sold for 2.99 which was way undervalue and a couple surprised me and sold way over what I would consider the realistic price. Ultimately, I just wanted to move some stock so it worked out OK but there is no way anyone could say that the selling prices reflected the true value of the posters.

    Another huge factor in determining the price is condition. People will often look through auction results and see that a poster sold for a certain price and therefore that must be its value but they often don't take condition into account. Take the Day the Earth Stood Still 3 sheet that was talked about in a thread on this board. The one that was up for sale was in very poor shape and I think the general consensus was that it was worth well under 500.00 in its present condition. If a poster for the same title turned up in very fine condition it would be worth $5000.00 plus.

    The venue for the auction is also important. Country specific posters often sell way under market value because they are listed on the wrong site.



  • edited October 2014
    I have a slightly different perspective

    in a business without a price guide, when an item sells for $5 in one venue and another for $50 it is reflective of their clientele and of their methods of business. Both prices are right for the venue they were sold in and therefore you have to consider what is the proper venue.

    However there is also additional input: if the venue that is selling the poster at $5 is selling it to someone who is reselling it for $50, clearly the $5 venue is just a closeout venue and possibly not the best place for selling your wares. Auctions in particular are closeout houses . "This item must sell today" and the price reflects that you are not actively seeking an adequate buyer at full price or even half price. (though this may vary. it would be hard to call Heritage a closeout house though their auctions do contain numerous bargain priced items)


  • My example of the value of the market was really to show how difficult it is to value the market accurately when all we know for sure is the turnover of two, maybe three dealers who business is totally reliant on the demand of two players at any one time.

    That said, those two or three dealers have somewhat of a consistent turnover both in sales dollars and units but then on the flip side that formula is messed up when you consider the variety of the product (titles and type) - so the reality of their turnover is they can only sell so many units per year and the average sale is only going to differ by a few point here or there. It doesn't take much to research.

    Currently on there is over 216,000 posters listed on eBay, of which 205,000 are BIN and 18,000 are auction (yes it doesn't add up -complain to eBay), let's generously estimate the average sell price is $20.

    Even if those ALL those posters achieved a stock turn of 6 per annum (good luck with that) then you might see around $24M in sales - so with all that, say eBay is 50% of the market - total market size is $48M. But if you believe that each and every one of those 218,000 posters on eBay turn over six times per year then I have a bridge you may be interested in....
  • You can go into completed listings & search for sold items in movie memorabilia > posters on ebay. Seemed to be roughly 650 items sold worldwide on Sept 30th.
  • Thanks Mark, not being a regular on eBay I did not know that - yes, about 650 sold on Sept 30th. So, 650 sold x 365 days x average* price $20 = total annual sales $4.7M. 

    The Global market size coming down as we speak, I guess it's not about the volume of posters it's about the success at selling them.




    * At a glance the average price at $20 looked high too, but let's go with $20 for the sake of arguments.
  • The theme of my store is built around nostalgia and posters as gifts. Plenty of sales in the $30 - $100 range, but over that results taper off. 
    When setting up I asked myself: Why do people go on ebay to shop? I believe the answer is quite different to why people visit dedicated mp auction sites or dealers' websites, hence my approach.
  • So how did you do that search on ebay? Was it for ebay Australia or ebay.com or all of the different ebay sites? How did you get results for a specific date? What about all the repros and autographs, etc that are mixed in with the results?

  • Go to site map at bottom of page, then completed listings. Refine search from there on left navigation bar. It may be possible on the US site to search for just originals, but the Aus site doesn't break down that far.
  • Thanks Mark. A lot of repros and autographs show up with those results.
  • John said:
    Thanks Mark. A lot of repros and autographs show up with those results.
    There's the problem too....
  • consider this when you think of totals.. how many people are there that make a living selling posters
    while most of them probably make in the under $20k range annually, there are also many who make 100k, 200k, 300k

    AllPosters & MovieGoods (and similar) sell tons of original posters in amongst their repros (and realistically, if you're measuring $ even repros count)

    Mondo, Alama etc.. the different varieties of publishers sells millions of dollars annually

    comic stores that sell posters (there are lots of them), flea markets, conventions

    there are so many different pieces to the puzzle

    $50,000,000 is nothing and easily achievable across the spectrum.. but even still, it is one of the smallest collectors markets there is

  • Got a question for ya Rich, how much is spent by non-collectors. People that actually don't know how much a poster is worth. 

    Even us collectors don't know what other collectors would actually pay for something on their want list. I had a chat with another collector not long ago about a poster I picked for up 100 bucks, he said "yeah that's about what it's worth isn't it" . I said nup it's worth 5 times that retail, but another one sold just recently for $250 at auction.

    It's a complex question you've put forth.
    :-??
  • edited October 2014
    I would never buy anything retail.  I know too much.  ;)
  • But what if the retailer......??....................let me explain...........he or she knows retail prices for every daybill, quad, one sheet, three sheet for every movie made??....for every country?

    Pandorers box I say.
  • I would imagine there are very few people who make a "living" from this hobby - I define "making a living" as sole income for that person. I say 'few people' when compared to the number of people who sell movie posters. The fact is (probably) most dealers either use it to supplement their income and/or deal in posters to supplement their hobby.

    Even if you throw repros by retailers in the mix I really don't see it being huge, sure it could be as much as double the vintage market but as we have seemingly established, the vintage market is very small.





  • Matt said:
    Got a question for ya Rich, how much is spent by non-collectors. People that actually don't know how much a poster is worth. 

    Even us collectors don't know what other collectors would actually pay for something on their want list. I had a chat with another collector not long ago about a poster I picked for up 100 bucks, he said "yeah that's about what it's worth isn't it" . I said nup it's worth 5 times that retail, but another one sold just recently for $250 at auction.

    It's a complex question you've put forth.
    :-??
    who knows? there is no way to quantify it. It's easier to find out what a dealer has sold than know the intentions o fthe buyer.

    values.. again, if one guy gets $5 and another $50, they can both be correct - in their individual market.
    the question is which is it better to be associated with and which is a better reflection of the broader market.

    If for instance 10 copies sell for $5 and 10 sell for $50 in a diff venue, which is correct?
    well, what if the 10 that sold for $50 in one venue were the same 10 that sold for $5 in the other venue? That's a more telling data point that explains clearly the $5 sale is a market limitation for the venue marketer who cannot or does not wish to seek the other (retail) market.
  • David said:
    I would imagine there are very few people who make a "living" from this hobby - I define "making a living" as sole income for that person. I say 'few people' when compared to the number of people who sell movie posters. The fact is (probably) most dealers either use it to supplement their income and/or deal in posters to supplement their hobby.
    yeah I'm not so sure you're correct David. What do you mean by "very few"?

    I know many people who's main income source is movie posters, though at our respective ages many of the group will have other investments, get social security, annuities.. However I count my poster selling as 2 things - individual to my business as a whole (meaning I count my poster sales separate from comics sales) and I also count it as a part to the whole as a subsidiary

    I can say however that the vast majority of people who sell posters do not sell comics or other hobbies, so it is their sole collectibles income.

    then again, whether someone is making a living by selling posters is not really a tangent to the amount of dollars achieved in sales.
    Maybe a guy sells a $500 poster and never has another poster to sell, but it still counts as a $500 sale (this would be an ebay seller for instance)
  • I keep coming to "why do we care?"...
  • That is the problem with valuing a poster against auction history (which I said should not be the bench pricing), is it cannot be the benchmark because all it is is the price two people were willing to pay at that point in time.

    However, because vintage posters are a collectible pricing is really driven by the collector not the retailer - if you are a retailer you can have a piece with a price tag of $50 for as long as you want but if it doesn't sell then your price is wrong (and/or your marketing etc). This is where stock turn ratios kick in for a business but as 90% of all dealers out there (a guess number) don't have overheads like a brick and mortar shop, staff, utilities etc stock turns don't mean a thing and so for the most part they simply keep there prices as is, many have based on recent history auction prices of EMP and HA and at the end of the day that is the only game in town.

  • Charlie said:
    I keep coming to "why do we care?"...
    so what is it? If Charlies doesn't care it isn't worth discussing? You suddenly remind me of a few people elsewhere.

    why do "I" care? well it's about the Poster Price Police. People who generally can't afford to collect good stuff but always seem to know what the values are for stuff they can't buy or stuff they want to buy and wish to keep the prices down for selfish reasons.

    for instance, on APF 3 weeks ago, a newbie joins and engages right away, explaining he's a newbie.. you know everyone is "hey have fun, welcome, cool etc etc". 3 days later he buys some stuff for well over the "auction market" and as if they don't recall he was there 3 days earlier, they totally savaged this guy for overpaying (in their opinions). I remark he was "here, chatting last week" and of course everyone does a 180 or at least a 90.. Of course, the guy hasn't posted to the group again, and the people are always remarking "why don't we have more members".

    the PPP ran the guy into the ground and then will wonder "where is xxxxx".. The market is a broad field, much more than what 1 or 2 venues sell and it is good to recognize this, or the PPP will continue to drive people away.
  • Rich said:
    Charlie said:
    I keep coming to "why do we care?"...
    so what is it? If Charlies doesn't care it isn't worth discussing? You suddenly remind me of a few people elsewhere.


    I said "we"...  not "I"  I think it is a great discussion point, but I am looking for the answer to "so what?"...
  • I remember that guy...  Paid way too much - all rookies do.  But if he doesn't have the balls to stick it out - it is on him.

    So the "So what?" is for APF to have more members?  Bad form Rich.
  • Charlie said:
    I remember that guy...  Paid way too much - all rookies do.  But if he doesn't have the balls to stick it out - it is on him.

    So the "So what?" is for APF to have more members?  Bad form Rich.
    what???

    Charlie, you have completely missed nearly every point. It isn't any single issue - it is the totality of all issues combined. I have no idea why you would focus one just a small sliver and believe that's the point and you also completely missed the point I was making about pokerplayr.

    go back to start and read everything over......

  • Rich said:
    why do "I" care? well it's about the Poster Price Police. People who generally can't afford to collect good stuff but always seem to know what the values are for stuff they can't buy or stuff they want to buy and wish to keep the prices down for selfish reasons.

    Rich, "good stuff" has different meanings to each of us. There's a lot of stuff I can't afford, but I wouldn't call it "good stuff" even being drunk...

  • This topic seems to have moved from how the big is the market to the dreaded Poster Price Police.

    My tuppence worth: I dislike the PPP, there's a touch of absolute arrogance when they tell anyone, "you paid too much", IMHO it's none of their business how much was paid for a poster, surely the name of the game is poster appreciation not poster valuation?
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